Fonts for people fighting for a better future. Free for all non-commercial use.
Fonts are the single most important tool for making a strong visual identity (come at me, photographers/
Back in 2013, I was making graphics for a project run mostly by volunteers. Being a designer, I wanted to use all the nice professional fonts I was accustomed to, but I immediately hit a roadblock — there was no budget to pay for other volunteers to use those fonts.
So I decided that if the good-looking, freely-distributable fonts I wanted didn't exist (the free font scene was especially bleak in 2013), I was gonna have to make them myself.
If you're an activist, an academic, or anyone just trying to make this world a better place for humans to live out our lives, please take these fonts and use them for whatever you need. They're for you.
Clack is a monospace typeface inspired by typewriter typefaces like those found on the IBM Selectric. Perfect when you need a font that blends utilitarian sturdiness with vintage warmth and personality.
Clack features a full range of weights all the way from thin to black, as well as a full set of italics. A set of variable fonts is also included.
*The above is a summary of, and not a substitute for the license. Read the full license here.
Union Gothic is a display typeface that ranges from extremely narrow to ultra wide. It's great for headlines, signs, banners — any place where you need to squish and stretch your text to fit exactly the shape you need.
It was made to test the limits of what you can do with a variable font, to see if it's possible to have a typeface that slides seamlessly from one extreme to another.
*The above is a summary of, and not a substitute for the license. Read the full license here.
*The above is a summary of, and not a substitute for the license. Read the full license here.
Big, bold, with a little old west flavor. Arroyo is a chunky wedge serif typeface with sharp, exaggerated serifs.
Originally drafted for The Equation Campaign in 2020 — we didn't end up using the typeface in the final brand typography. I promptly forgot about it for three years before I found it on the shelf and made it available here.
Mort is a tightly-spaced display typeface that's half Art Deco, half 70's funk. Drawing inspiration from typefaces like Raisonné, Avant Garde, Gill Sans Kayo (fuck Eric Gill, though) and the cover of Mort Garson's 1976 album Plantasia, Mort aims to blend sharp and geometric with quirky and offbeat.
Mort is a variable font with a "weight" axis, so you're using an app that supports it, you can freely adjust the weight to be exactly as bold or as light as you need.
*The above is a summary of, and not a substitute for the license. Read the full license here.
(pronounced KLEE-muh)
Simple and versatile. Designed first and foremost to be a body font suited for paragraph text. The very light and very bold weights can make for a nice title or headline, though.
The earliest versions of Klima were my first serious attempts at making a typeface. It started as an attempt to make a softer, more relaxed version of DIN but over the years and after many, many, many revisions, Klima eventually settled into its own personality.
Fun fact — FF DIN designer Albert-Jan Pool once made said the italics were "brutal"... and he wasn't totally wrong (I redrew the italics).
*The above is a summary of, and not a substitute for the license. Read the full license here.
*The above is a summary of, and not a substitute for the license. Read the full license here.
Wide, chunky, and super-double-extra-bold. Modern, but with a little bit of that old-time wood type flavor. Great for giant, unignorable headlines. Probably horrible for paragraphs or fine print.
Originally created for the 'RISE' mass climate action happening around the Global Climate Action Summit in 2018.
*The above is a summary of, and not a substitute for the license. Read the full license here.
(pronounced CUT-vague)*
A workhorse monospace typeface suited for paragraph text, UI elements and writing code. Designed while in the town of Katwijk on the north coast of the Netherlands in January 2018 while working on the Fossil Free project.
*at least, I think that's how it's pronounced. The Dutch people still looked at me funny every time I tried to say it.
Coming Soon.
Greve is a condensed, flat-sided display typeface that was developed for the 2019 Global Climate Strike.
A variable font that's adjustable along weight and width axes, Greve is designed to make typsetting full-width headlines easy — if you're having trouble getting text to fit onto a certain number of lines, just turn the width up or down slightly to get the fit you need without having to touch the spacing.
*The above is a summary of, and not a substitute for the license. Read the full license here.
A flat-sided, condensed display face, good for headlines and titles.
Originally created for the Fossil Free project identity. Includes icons from the Fossil Free icons set built into the font, accessible with Opentype-powered shortcodes.
*The above is a summary of, and not a substitute for the license. Read the full license here.
The original Graph. A flat-sided, condensed display face, good for headlines and titles.
Originally created as a companion to Klima, variants have been added over the years. For example, the "Paris" versions were created for the 2015 Paris UN climate conference.
*The above is a summary of, and not a substitute for the license. Read the full license here.
Want to know when new fonts are released? Sign up here to get email notifications. If you're worried about more emails cluttering up your inbox, let me assuage your concerns with the fact that the 'new font' mailing list is averaging about one email every two years.
To prevent corporations from taking unfair advantage. Companies like Google Fonts take advantage of people's creative labor and use it to make money for themselves and solidify their position as a monopoly. And all without offering fair compensation.
Don't believe me? Google has contacted me twice to ask if I'll give them an unconditional license to use these fonts, in perpetuity, for free. No thanks, Google.
To not steal business from professional type designers. With a few exceptions, most type foundries are small, independently-owned businesses. I'm offering these fonts for free so that volunteers and non-designers can have access to them — not to undermine people who are trying to make a living by selling fonts.
If you're a business or a professional designer, you should pay for fonts! The same way you pay for music or art or any other creative thing produced by skilled artisans.
Speaking of, here are some excellent type designers you can and should check out:
But with that said, there are always exceptions. If you're a small business who gives back to the community, or if you're working for a public-benefit corporation and you'd like to use these fonts please contact me with the particulars of your situation.
For the purposes of this license, commercial use is defined as activity that is “primarily intended for or directed towards commercial advantage or monetary compensation” (more information here).
Generally speaking, if you're making profit it counts as commercial use, but please refer to the license text as the definitive source.
All the sample text in the font samples above is from the goddamn wonderful poems of Mary Oliver. If you're not familiar with her work, boy are you in for a treat.
*Latinized.
If you have any difficulty using the fonts in any of these languages, please let me know! It's difficult for one person to test this many languages thoroughly, so reporting any problems you encounter is a big help.
If this seems like a lot of languages, I agree — in researching font language support, you to run into the hard truth that Europeans (and later, Americans) invaded most of the world and either directly or indirectly forced other cultures to adopt the Latin alphabet. Military, economic and technological imperialism continue to reinforce the spread of the Latin alphabet at the expense of traditional and indigenous writing systems. It's wack.